
The work of Skylark 2 artist James Hobbs is featured in the October 2009 edition of Artists & Illustrators magazine, in an article about drawing in the city.
A freelance journalist as well as an artist, James is a former editor of the magazine.

On Friday 18 September, from 11am-6pm, James Hobbs will be showing how he makes his work using a mixture of traditional and digital media (right). The gallery will be open until 8pm so people can meet Skylark artists over a glass of wine.
On Saturday 19 September, 11am-6pm, Gill Hickman (left) shows how she uses 24-carat gold leaf on her textured paintings.
And on Sunday, 11am-6pm, Eileen Martin, who creates collographs and oil paintings inspired by natural forms and movement (right), demonstrates how she makes her work.
Brighton-based artist Holly Caulfield doesn't just show her work in Skylark 1 — her hand-made organic chocolate is on sale in a growing number of discerning stores. As well as John Lewis Food Halls in Oxford Street and at Bluewater, it is on sale in shops in Brighton, Hove and Lewes, and will be available at Fenwicks, Bond Street, and Waitrose, Brighton, for Christmas. The five main flavours she has created are chilli and coconut, geranium, cranberry and cinnamon, cardamom, and rich milk.
Gregor Harvie is the second new artist to join the Skylark 2 team, after Deana Lee (see below). He has a background in environmental design and architecture, and his experimental abstract paintings are informed by the works of Jackson Pollock, Terry Winters and David Reed.
graduated from art college. I also have a PhD in environmental design and I am a qualified architect.
Two new artists join the Skylark 2 team this month: painter Gregor Harvie, who will be blogging shortly, and ceramicist Deana Lee (left). Deana was born in Hong Kong and left a career in marketing to devote herself to sculpting with ceramics. Here she introduces herself.
spend hours ensuring each piece is highly burnished as this results in extremely tactile forms — my pieces are meant to be touched. As far back as I can remember I have been drawn to the ancient method of smoke firing and how the smoke and flames paint designs on the ceramic canvas. I have taken these ancient processes and used them in a more contemporary way to create unique effects that have depth and fluidity.